JAPANESE MUSIC
dreamerlonely - Shred Guitar Fundamentals
 

Home/inicio
Contacto
Libro de visitantes
capitulos Inuyasha
musica
Ministerio Gramma
News
Anime videos
Inuyasha (personaje)
MENSAJES
Jason Becker
Michael Angelo
Nuno Bettencourt
Paul Gilbert
Yngwie J. Malmsteen
John Petrucci
Joe Satriani
Steve Vai
Eddie Van Halen
video ejemplo
~ Do You Really Need A Teacher? ~
~ Choosing a Teacher:
~ Perserverance ~
Picking Hand Discipline
~ Vibrato Control ~
~ Musical Frustration ~
~ Most of you are totally out of balance? ~
~ Top Secrets of Common Sense ~
~ For Love or Money ~
~ Creativity and Expression ~
~ Express Yourself! ~
~ Fire and Inspiration ~
~ How to Develop Your Own Style - Part 1 ~
~ How to Become a Professional Guitarist & Musician ~ Part 1
Arpeggio Tricks
Trick 2
Trick 3
Trick 4
Lick 1
Lick 2
Lick 3
Lick 4
Speed Picking
Speed Picking 2
Wow! Arpeggios
Diminished Arpeggios
Extended Alternate Picking Exercise
Legato String Skipping
YNGWIE MALMSTEEN WORKSHOP
Sweep Picking Exercise
Shred Guitar Fundamentals
How To Make Your Soloing Stand Out
Hybrid Techniques 1
Hybrid Techniques 2
Sweep and Picking Licks
Legato Phrases
Yngwie Malmsteen Arpeggio Lick
japanese scales
Palm Muting Riffs
Introductions and Fills
Bandas Japonesas Heavy

copyrigth

Shred Guitar Fundamentals
 
Installment 2: Chromatics and Intervals
 
Hello to all once again.  David Katilius here with the second installment of my lesson series, Shred Guitar Fundamentals.  In the last installment, I covered the background on shred guitar and showed you how to tremolo pick.  Before I go on with this installment, I forgot to mention something important in my last installment, so I'm going to clear that up now. 
 
With any guitar exercise, whether it be chop building, technique, or speed and accuracy, you should always start out slowly.  Now, I know you're looking at me like "Dude, you can't be serious!"  It's a known fact that people are driven towards anything with fast speed, just because of sensory perceptions of the human mind, a.k.a. basic instinct. I know it may seem tedious, but trust me, it pays off in the long run.  Also, you should practice with a metronome.  This is an extremely valuable and important tool if you want to start playing fast.  Whether your metronome be a drum programmer or sequencer, a simple click track, or a $2.00 piece of crap from Wal-Mart, it's vital nonetheless.
 
In this installment, I'm going to discuss chromatics and intervals.  These are some of the most important exercises for all guitar players as well as shredders because they help improve the dexterity of the fret-hand fingers, and also develop coordination and synchronicity between the pick-hand and fret-hand.  Most people practice them by using 4 notes per string on consecutive frets, meaning 1234, 2345, 3456, and so on.  Here is a simple 2-octave chromatic scale in the key of A.
 
 



 

Another thing that is useful to work on is intervals, which fall into the field of chromatics.  A lot of these are like tongue-twisters for your fingers, the reason being that you have to pick your fingers up after some of the notes, which helps improve dexterity and coordination as I said earlier.  There are 24 different combinations of intervals or chromatic variations, which I have listed below.

 

1234
1243
1324
1342
1423
1432
 
2134
2143
2314
2341
2413
2431
 
3124
3142
3214
3241
3421
3412
4123
4132
4213
4231
4312
4321

Quite a bit of variations that you can work on.  Mega helpful as well.  I've included just a few in Power Tab format.  By the way, I'm doing all my lessons in Power Tab format, so at the bottom of the page, you can download the files to your computer.  If you don't have Power Tab, get it.  I highly recommend it.  It's very easy to use and it's really neat as well.  I've included the link at the bottom of the page if you want to download the program.

 

1234
 
 


 

 
4321
 




 

1423


 

 
just dream Este sitio web fue creado de forma gratuita con PaginaWebGratis.es. ¿Quieres también tu sitio web propio?
Registrarse gratis